then! Probably the words were concerning Mlle. Blanche.
Certainly something decisive is approaching.
VII
In the morning I sent for the maitre d'hotel, and explained to
him that, in future, my bill was to be rendered to me
personally. As a matter of fact, my expenses had never been so
large as to alarm me, nor to lead me to quit the hotel; while,
moreover, I still had 16o gulden left to me, and--in them--yes, in
them, perhaps, riches awaited me. It was a curious fact, that,
though I had not yet won anything at play, I nevertheless acted,
thought, and felt as though I were sure, before long, to become
wealthy-- since I could not imagine myself otherwise.
Next, I bethought me, despite the earliness of the hour, of going
to see Mr. Astley, who was staying at the Hotel de l'Angleterre
(a hostelry at no great distance from our own). But suddenly De
Griers entered my room. This had never before happened, for of
late that gentleman and I had stood on the most strained and
distant of terms--he attempting no concealment of his contempt
for me (he even made an express, point of showing it), and I
having no reason to desire his company. In short, I detested
him. Consequently, his entry at the present moment the more
astounded me. At once I divined that something out of the way
was on the carpet.
He entered with marked affability, and began by complimenting me
on my room. Then, perceiving that I had my hat in my hands, he
inquired whither I was going so early; and, no sooner did he hear
that I was bound for Mr. Astley's than he stopped, looked grave,
and seemed plunged in thought.
He was a true Frenchman insofar as that, though he could be
lively and engaging when it suited him, he became insufferably
dull and wearisome as soon as ever the need for being lively and
engaging had passed. Seldom is a Frenchman NATURALLY civil: he
is civil only as though to order and of set purpose. Also, if he
thinks it incumbent upon him to be fanciful, original, and out
of the way, his fancy always assumes a foolish, unnatural vein,
for the reason that it is compounded of trite, hackneyed forms.
In short, the natural Frenchman is a conglomeration of
commonplace, petty, everyday positiveness, so that he is the
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