Fyodor Dostoevsky

now, I am to some extent satisfied with them. Dreams were particularly

sweet and vivid after a spell of dissipation; they came with remorse and

with tears, with curses and transports. There were moments of such

positive intoxication, of such happiness, that there was not the faintest

trace of irony within me, on my honour. I had faith, hope, love. I

believed blindly at such times that by some miracle, by some external

circumstance, all this would suddenly open out, expand; that suddenly a

vista of suitable activity--beneficent, good, and, above all, READY MADE

(what sort of activity I had no idea, but the great thing was that it should

be all ready for me)--would rise up before me--and I should come out

into the light of day, almost riding a white horse and crowned with laurel.

Anything but the foremost place I could not conceive for myself, and for

that very reason I quite contentedly occupied the lowest in reality. Either

to be a hero or to grovel in the mud--there was nothing between. That

was my ruin, for when I was in the mud I comforted myself with the

thought that at other times I was a hero, and the hero was a cloak for the

mud: for an ordinary man it was shameful to defile himself, but a hero

was too lofty to be utterly defiled, and so he might defile himself. It is

worth noting that these attacks of the "sublime and the beautiful" visited

me even during the period of dissipation and just at the times when I was

touching the bottom. They came in separate spurts, as though reminding

me of themselves, but did not banish the dissipation by their appearance.

On the contrary, they seemed to add a zest to it by contrast, and were only

sufficiently present to serve as an appetising sauce. That sauce was made

up of contradictions and sufferings, of agonising inward analysis, and all

these pangs and pin-pricks gave a certain piquancy, even a significance to

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