my dissipation--in fact, completely answered the purpose of an appetising
sauce. There was a certain depth of meaning in it. And I could hardly
have resigned myself to the simple, vulgar, direct debauchery of a clerk
and have endured all the filthiness of it. What could have allured me
about it then and have drawn me at night into the street? No, I had a lofty
way of getting out of it all.
And what loving-kindness, oh Lord, what loving-kindness I felt at
times in those dreams of mine! in those "flights into the sublime and the
beautiful"; though it was fantastic love, though it was never applied to
anything human in reality, yet there was so much of this love that one did
not feel afterwards even the impulse to apply it in reality; that would have
been superfluous. Everything, however, passed satisfactorily by a lazy
and fascinating transition into the sphere of art, that is, into the beautiful
forms of life, lying ready, largely stolen from the poets and novelists and
adapted to all sorts of needs and uses. I, for instance, was triumphant over
everyone; everyone, of course, was in dust and ashes, and was forced
spontaneously to recognise my superiority, and I forgave them all. I was a
poet and a grand gentleman, I fell in love; I came in for countless
millions and immediately devoted them to humanity, and at the same
time I confessed before all the people my shameful deeds, which, of
course, were not merely shameful, but had in them much that was
"sublime and beautiful" something in the Manfred style. Everyone
would kiss me and weep (what idiots they would be if they did not), while
I should go barefoot and hungry preaching new ideas and fighting a
victorious Austerlitz against the obscurantists. Then the band would play
a march, an amnesty would be declared, the Pope would agree to retire
from Rome to Brazil; then there would be a ball for the whole of Italy at
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